There are several points of view about estillo "Villa Urquiza" in the style called Tango Salon. What are the talk of Villa Urquiza estillo get serious and stop saying, "... is estillo supremasia Villa Urquiza is the Tango Salon: Elegance, Compas, Cadence, musicality and knowledge of ballroom dancing. The Villa Urquiza style dancers have a special rate. Dance music pause ... "or commonly heard:" ... Villa Urquiza, instead of good dance ... "Are the others, called critics of style, these definitions look askance on the table and leave comments like" If there is ... Villa Urquiza style, the style should be Boedo. It's all a matter of Marquetin ... "Well you could say that both sides have a point. Although years ago could be seen more clearly differences in the dances. When one was attending a milonga could observe significant differences between those who frequented the milongas of Buenos Aires center, those who were regulars of the dances of the South and those of Flores, Villa Urquiza and Saavedra.
Today these differences are harder to find. The tango dance has expanded exponentially and many of its new members prefer the quick way and end up copying the fashionable dancers instead of finding their own forma.Pero over there in the years '40 milongas began to be more popular in the north of the city of Buenos Aires. Maybe it was the difficulty of transportation to attend the milongas from the center, perhaps the reason was another, but the truth is beginning to emerge as milongas Club Sin Rumbo, Sunderland Club, The Apollo Circle, Pinocchio Club at the Slaughterhouse Club Glorias Argentinas, etc.. `The biggest difference between these styles (Style Urquiza and the center) is in the Villa Urquiza style can be appreciated steps longer, hug something soft and flexible, the dance is more harmonious, lilting where the music is waiting for be executed. The music that danced in their pistan are more melodic type. In contrast, in the center are more rhythmic musics, embrace more stacked and inflexible, probably because of the limited space of track where the music from D'Arienzo and Biaggi, to name 2 of them, were often bailadas.Decia: José Vazquez "Mop" "It's a very special style, rhythm and style, which does not allow any figure. I personally knew only two "cracks" were: Scalise Devoto neighborhood of Luis and Lemo (Milonguita) of confused Saavedra.No lounge Tango Tango is danced in a room, in which figures of all kinds come to be fully different from one another. This style does not allow mistakes, as it has to be in good standing and moving your legs and your body properly. The dance music that is slow so that all their movements are very rhythmic and elegant. The hardest thing is walking his way, the feet are placed on end and at the end of supporting the entire foot, you change your weight to stay balanced. Pivot fronts to make changes or close after a walk without losing balance. This style helps to thin and tall stature because their movements are slow and elegant. "In the golden years these milongas could one find with the likes of Luis Lemos" Milonguita "Joseph" The Turk "Brahemcha (who say they were the instigators of style, Lampaso, Portalea, Los Filipini, Finito, Albert and Esther , and Chino Perico and others. Now in this new generation we see representatives of this style are so honored to attend tracks: Carlos and Rosa Perez, Jorge Dispari and Maria del Carmen The Turkish, Sebastian and Gabriel Misse (her sisters Stella and ) Miguel Angel Zoto, Milena Plebs, Javier Rodriguez, Geraldine Rojas (to name a few). El Chino Perico said: "I started dancing very young, at age 13, and saw the people of Urquiza, where what mattered was compass and elegance. In other dances had a head of cabbage, were made a lot of steps and that left a man badly. Urquiza took great care in the elegance of the dancer. So excelled. ". [Luis Lemos Milonguita ] "For me it was the best and unsurpassed. had a dress and elegance in the dance we all learned from him. The dancer has to stop knowing well, walk well and feel the music. The dances the tango milonga who likes to listen and feel, then it transmits it to the body and legs speak.
